Part of a winning team.

shawl_fullSpecial thanks to Van Waffle for taking the pictures in this post.

Back in November I took part in the Sheep to Shawl competition at the Royal Winter Fair in Toronto.

My guild had two teams in the event this year. Team A was made up of the seasoned members who’ve done the competition for many years. Team B was made up of first timers and others who have been in the competition before. This was my first year in the competition, so I was on the second team.

There were ten teams in total with sixty people competing. It was awe inspiring to see that many weavers and spinners all going for glory!

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A little colour on a grey day

skeinIt’s a quiet, grey day here in Guelph. It hasn’t rained yet this morning, but it’s coming soon.

It’s been a couple busy weeks since the last post.

I’ve finished my spinning certificate class and had a blast with it. Last week was spent getting my homework in order and working on a commissioned pattern. That  pattern is coming along very nicely. I just have a few tweaks left and then it’s off to the test knitter this Friday. I’ll be getting the yarn for the pattern sample soon and I’m really excited to start working with it. It’s a new yarn to me and looks and feels amazing.

I thought I would post some pictures of the dye experiments we did in my spinning class. This year was dyeing with fibre reactive dyes and creative dyeing techniques. These were all a blast to do, but it got pretty hectic having twenty people all dyeing at the same time. We managed and thankfully no spills or accidents.

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Video blog day – Welcome to the Display Room!

Today I’m taking you through a tour of the Display Room from the Ontario Handspinning Seminar 2013 that happened June 14 – 16, 2013.

You can continue the tour by going to the following videos:
Baggie Challenge table
Skeins for next year
Special Projects Competition
Skeins Competition pt.1
Skeins Competition pt.2
Just for Fun! tables
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I worked on the display committee this year with one other woman. There is minimal work over the months before the seminar. Most of the work is done at the seminar.

Before the seminar we take care of finding judges for the competitions and planning the layout of the display room. We make sure all the materials needed for displays were passed along to us, gather additional display materials as needed and print updated signs for the current years displays. We also update various forms for the competitions, judges, Just for Fun and Fashion Show items.

During the weekend we are responsible for taking in items for display and competition, setting up the room and displays, helping the competition judges, watching over the displays during public times, helping during the fashion show, getting the items back to the owners and clearing up the display area. Thankfully we have great volunteers helping the two of us with all of this!

We were also responsible for creating the awards certificates, gathering up all the prizes, taking pictures of the winning items, updating the slide presentation for the awards ceremony and handing out the certificates and prizes at the ceremony.

I had an awesome time being on this committee! You do work long hours at the seminar, but it’s so worth it to be able to see all the amazing work that comes it. Plus we are the lucky ones who get to handle all the items and get a good look at them.

Spinning certificate program

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My final projects from years one through five

I’m heading into the sixth and final year of my spinning certificate program. You can see an outline of the years here.

It’s been a pretty amazing journey.

My class started when I was 40. At the time I figured I could do the program then, rather than waiting till I was 46 or 52 to do it. It was also the right time as I wanted to take my spinning more seriously and I thought this program would give me a structured way of learning all this stuff, rather then me trying to find classes all over the place to learn things.

The teachers for our classes are amazing people. Their knowledge and generosity are humbling. And lets face it – the thought of having to grade homework for 25 to 40 students is pretty intimidating, yet they do that, year after year.

Some highlights for me:
All of the dyeing classes. We’ve done both acid dyeing and natural dyeing. These have been a lot of fun and I’ve learned a lot in them.

Spinning woolen. This was probably the hardest challenge for me when we started. I’d mostly spun worsted or semi worsted. Learning to spin light and lofty was challenging. I still don’t spin enough of this and have to retry it each year otherwise I forget how to do it.

Bast fibres. Flax, hemp and cotton. I had tried these before, but it was pretty dismal. Last years class finally made things click and I was able to spin them. I think these fibres have moved up from the “Ugh! Argh!” list to “Ok, that’s not so bad”. I think with more practice I could actually spin enough cotton for a decent sized project – like a shirt or light sweater.

Silk has become one of my top five favourite fibres to spin. The diversity of silks that we have available to spin now is pretty amazing. I also love dyeing silk.

The other other students in the class. We have a very diverse group filled with really amazing people. For the first three years there were a lot of us in the college cabins, which bonded us all to each other. It’s great being able to share with these people, and to know there is a group out there that supports you through getting the home work done and supporting you in your life. I’ve met good friends through this class.

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I thought I would finish off by showing you what part of an assignment from class looks like.

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This is from my year five final project. The criteria we had was to make a project using a bast fibre, with at least 150 meters of yarn. After that the choices were up to the student.

I chose to make a crocheted bath scrubby out of hemp. After doing sampling I found that I liked a 3-ply yarn that was the size of #10 crochet cotton. The gold coloured hemp was fairly easy to spin – it was a well prepared fibre. The purple was not a nice experience. There were sections with very short cotton like fibres, and other sections where the fibre may not have been retted very well and were clumped together and hard to draft. The final purple yarn was thicker than I was aiming for, but it worked out fine in the final product. I pretty proud of the final product, thought it certainly isn’t economical. The final project took a total of 71 hours. That includes all the sampling, spinning and making the final project, and doing the documentation and mounting.

You have to document your thought process on the project – what you wanted to make, why you chose which fibres, fibre prep and spinning techniques you did, what worked, what didn’t, and your comments on it. You are also to show and document any sampling you did to get to the final yarn you used.

Part of the final project is to show a mounted skein of the final yarn, plus the final object.

For the mounted skeins, you need the following:

  • fibre samples (raw, washed and processed if you do all that work)
  • a 10 yard sample skein, tied in four places with white cotton
  • a 1 inch card of wrapped singles
  • a 1 inch card of wrapped plyed yarn (if final yarn is plyed)
  • finished samples / articles
  • documentation on the yarn, stating it’s purpose, describing the fibre and how you processed and spun it, your finishing techniques, description of sampling or finished item, and final comments / observations on your yarn, spinning, sampling and anything else you may have learned or want to change.
  • for the documentation you need to keep track of how much fibre was used, how much waste was generated, the wraps per inch (WPI) of the singles and plyed yarn, the twist angle (TA), twists per inch (TPI) and yards per pound (YPP) of the plyed yarn.

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A little lacey something

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After years of crocheting a lot of doilies and lace things in my teens and early twenties I figured I never wanted to do anything lace related again.

WRONG! I guess it must be in my blood. My grandmother on my mothers side was a great crocheted lace maker. I figure the need to make lace comes from her.

I can thank Ted Myatt again for getting me interested in knitting lace. He makes phenomenal pieces on seemingly impossible sized needles. You can see a few of his piece here towards the bottom of the page.

I can also thank Joan Kass and Dorothy Seimens and several other women in Toronto’s Downtown Knit Collective for lots of inspiration and guidance. Joan is an amazing knitter and Dorothy writes some pretty amazing lace patterns.

A man knitting lace is one of those funny contradictions in the knitting world. Big burly guy, tiny needles and light as air fabric. It just shouldn’t be, but it is.

There’s is such a fascination in making something that can be so complex and so fragile looking. The yarn can be quite delicate, but once the piece is made it can usually stand up to a lot of stress when blocking it out.

Lace really needs the final blocking. Until then it just looks like a mass of spaghetti, but once blocked is blossoms into something amazing.

Here are a few of the lace items that I have made over the years.

tscarf1
This is a small triangular scarf. The pattern is the triangular scarf from Two Lace Scarves by Dorothy Seimens.

The yarn is some of my first handspun lace yarn made on a drop spindle. The fibre is a 70% merino and either 30% alpaca or mohair blend. I left off the tassels from the pattern as I didn’t have enough yarn to make those.

jen_back2shawl_full_2
These are pics of one of the Lotus Blossom Shawls I made for a couple friends. The pattern was originally made for a yarn that was slightly heavier then dk weight. That original yarn was discontinued years ago and Dorothy updated the pattern to use a dk or light fingering weight yarns.

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This is the Faroese Flower Shawl by Lucy Neatby. I purchased this as a kit and made this shawl for my sister. One of the nice aspects of a Faroese style shawl is that there is extra shaping at the shoulder area of the shawl and they stay on the shoulder better then just a straight shawl.

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This is my Diamonds and Roses Shawl pattern. I had a lot of advice from Dorothy Seimens on creating the charts for this shawl. I still like making it! I plan to make it from handspun yarn one day – naturally dyed with either madder or cochineal.

shaw1skein1
This is a simple triangular shawl I have designed. The yarn is spindle-spun chain plyed (3-ply) Tussah silk, dyed by Chasing Rainbows Dyeworks. I kept the pattern simple to highlight the colour changes of the yarn. I had tried other lace patterns, but the patterning was lost in the colours.

Some lace designers that you should know:
Margaret Stove
One of the true lace goddesses. She has spun and knit many fine creations. She has also published several books on spinning merino and lace knitting.

Sharon Miller of Heirloom Knitting
Amazing Shetland Lace patterns.

Dorothy Siemens of Fiddlesticks Knitting
A Toronto designer that I’ve known since she first started creating patterns for sale. Beautiful designs, clear instructions and large easy to read charts are the hallmarks of her designs.

Katherine Matthews of Apparknitchick and Ravelry
A local Guelph designer. Ted Myatt introduced us. She has many fun designs.

Anne Hanson of Knitspot.com
Many wonderful designs for lace and other garments.

Birgit Freyer of Knitting Delight and Die WollLust in German.
Many amazing designs.

Judy Marples of Purl Bumps
Many lace scarves and other patterns.